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NFT Subculture Continues to Grow: A Bill urray Story

By March 24, 2022No Comments

Before anyone is driven insane by the title, there is a reason the M in Murray isn’t present. The reason is relatively simple, Bill himself never uses M when he sends text messages. Why? Well, because his cell phone is so old, the M doesn’t work.

Why is this important here? Well, simple, it shows that a guy who doesn’t even care much about his cellphone, I mean, clearly he has the money for a new phone, still wants in on the NFT space. Even those not up to date on all the tech advances still like the idea of NFTs, Web3, and the metaverse. It is just that attractive and unique, people who don’t have a functioning cellphone still want in. Well, people like Bill Murray, who has always been considered a bit eclectic to say the least, want in. 

The actor is partnering with the Chive to issue 1000 NFTs. Each NFT comes with a story from his life and an NFT illustration of the actor created by popular artist David Grizzle. This just shows the level to which NFTs and Crypto art is saturating culture today. Many don’t even understand the basics, but they understand it is cool and want to be a part of it.

Keep your eyes peeled for the new NFTs to arrive soon. For details follow @the CHIVE on Twitter for updates.

Scott Auriat

Scott Auriat

Born and raised in Canada, Scott is currently residing in Edmonton. A travel enthusiast who has spent plenty of enjoyable years living around the globe. He has spent the past four-plus years working on a Ph.D. in economics focusing on economic growth, which has taught him the power of transformative technologies in history, naturally leading him to an interest in blockchain and crypto. He understands the heart of economic growth is technological breakthroughs that allow people to create and trade, to flourish in ways past generations would not have imagined. In his non-academic life, Scott is an art lover and musician. Merging these interests guides him unsurprisingly to the metaverse, NFTs, and crypto art.